Al amanecer,
cuando la dureza del día es aún extraña
vuelvo a encontrarte en la precisa línea
desde la que la noche retrocede.
Reconozco tu oscura transparencia,
tu rostro no visible,
el ala o filo con el que he luchado.
Estás o vuelves o reapareces
en el extremo límite, señor
de lo indistinto.
No separes
la sombra de la luz que ella ha engendrado.

José Ángel Valente

I’m a bit sad because tomorrow morning my first boss J.R. Acinas will present the paper “POPE. Assisting to the port operations system. Experiences in Ferrol Outward Port”. It shows the first professional work in wich I’ve got involved. We developed in the Ports and Coast Lab of my Civil Engineering School a system that helped to take decissions about operations in the port based in 48/72 hours weather forecast. The program takes wave and wind forecast in great scales and it calculates wave, tide and currents in a thinner grid. And, of course, it was developed with very interesting pieces of free software like Delft University of Technology’ SWAN (Simulating WAves Nearshore), on top of a (Debian) GNU/Linux system.

We finished the works some years ago, but I’m still very fond of it And I’ll be always grateful with Dr. Engineer Javier Eiras because the great work he did and the assistance he made me when he left the team.

Today I finished to read civil engineer José Antonio Fernandez Ordóñez‘ speech in his joining to the Fine Arts Academy of San Fernando. He finished with this paragraph:

“…don’t deceive ourselves, only the work of poets is really everlasting. When there’ll only be ruins of the most beautiful bridges in the world, Mozart’s music will remain so wonderful and new like the first day of its conception…”

So now I think I won that debate

Quoique tes sourcils méchants
Te donnent un air étrange
Qui n’est pas celui d’un ange,
Sorcière aux yeux alléchants,

Je t’adore, ô ma frivole,
Ma terrible passion !
Avec la dévotion
Du prêtre pour son idole.

Le désert et la forêt
Embaument tes tresses rudes,
Ta tête a les attitudes
De l’énigme et du secret.

Sur ta chair le parfum rôde
Comme autour d’un encensoir ;
Tu charmes comme le soir,
Nymphe ténébreuse et chaude.

Ah ! les philtres les plus forts
Ne valent pas ta paresse,
Et tu connais la caresse
Qui fait revivre les morts !

Tes hanches sont amoureuses
De ton dos et de tes seins,
Et tu ravis les coussins
Par tes poses langoureuses.

Quelquefois, pour apaiser
Ta rage mystérieuse,
Tu prodigues, sérieuse,
La morsure et le baiser ;

Tu me déchires, ma brune,
Avec un rire moqueur,
Et puis tu mets sur mon cœur
Ton œil doux comme la lune.

Sous tes souliers de satin,
Sous tes charmants pieds de soie,
Moi, je mets ma grande joie,
Mon génie et mon destin,

Mon âme par toi guérie,
Par toi, lumière et couleur !
Explosion de chaleur
Dans ma noire Sibérie !

Charles Baudelaire, 1860

2009 was not a good year for GPUL. We tried to go on with our usual program of workshops and hackmeetings, making honor to our 10th anniversary, but we were forced to stop. Part of the problem were some personal (family) problems I bore this year.

So we (the new board of directors) face now the challenge of guideing GPUL to a new golden age in free software developing and promoting. In the next months we must work updating the infraestructure, then we’ll really try to keep up with the times.

1. Copyright should not be placed above citizens’ fundamental rights to privacy, security, presumption of innocence, effective judicial protection and freedom of expression.
2. Suspension of fundamental rights is and must remain an exclusive competence of judges. This blueprint, contrary to the provisions of Article 20.5 of the Spanish Constitution, places in the hands of the executive the power to keep Spanish citizens from accessing certain websites.
3. The proposed laws would create legal uncertainty across Spanish IT companies, damaging one of the few areas of development and future of our economy, hindering the creation of startups, introducing barriers to competition and slowing down its international projection.
4. The proposed laws threaten creativity and hinder cultural development. The Internet and new technologies have democratized the creation and publication of all types of content, which no longer depends on an old small industry but on multiple and different sources.
5. Authors, like all workers, are entitled to live out of their creative ideas, business models and activities linked to their creations. Trying to hold an obsolete industry with legislative changes is neither fair nor realistic. If their business model was based on controlling copies of any creation and this is not possible any more on the Internet, they should look for a new business model.
6. We believe that cultural industries need modern, effective, credible and affordable alternatives to survive. They also need to adapt to new social practices.
7. The Internet should be free and not have any interference from groups that seek to perpetuate obsolete business models and stop the free flow of human knowledge.
8. We ask the Government to guarantee net neutrality in Spain, as it will act as a framework in which a sustainable economy may develop.
9. We propose a real reform of intellectual property rights in order to ensure a society of knowledge, promote the public domain and limit abuses from copyright organizations.
10. In a democracy, laws and their amendments should only be adopted after a timely public debate and consultation with all involved parties. Legislative changes affecting fundamental rights can only be made in a Constitutional law.

Torre Collserola (From Wikipedia.es, under GFDL License)

He worked in the 70-80’s with José Antonio Fernández Ordóñez (JAFO) building bridges, but he has a lot of works about another structural types. More than 10 years ago I was lucky of attending another speech where he talked about built-on-the-ground-and-up structures, and he showed three great examples: the Collserola Tower and the sports dome Palau San Jordi in Barcelona, and the Congress Palace in Salamanca.

Roy Hargrove is one of the best trumpeters nowadays. Some years ago I saw the live at San Sebastian with drummer Roy Haynes launching a great album: “Birds of a feather: a tribute to Charlie Parker”(2001). Recently my friend Javi Calvo lend me “RH Factor”(2003), where he performs a more funky sound.

Kenny Barron is one of my favorite pianists alive (McCoy Tyner is obviously the other one). He usually has a classic sound of accoustic jazz bands. If you hasn’t still listened his duet with Charlie Haden “Night and the city”(1998), run to your store and buy it ASAP

Charles Baudelaire. Le Spleen de Paris, 1869

Tus manos son mi caricia
mis acordes cotidianos
te quiero porque tus manos
trabajan por la justicia

si te quiero es porque sos
mi amor mi cómplice y todo
y en la calle codo a codo
somos mucho más que dos

si te quiero es porque sos
mi amor mi cómplice y todo
y en la calle codo a codo
somos mucho más que dos.

Mario Benedetti