The day before of Dudesconf my friend Javi Calvo and me went to the Jofre Theater in Ferrol. That was the late evening/night of Marlango.

Some years ago I saw their first public performance in a TV. In that moment they were still working in their first album “Marlango” (2004), but that scoop promised a good future for the band: a nice jazz/rock/pop fusion performed by good musicians and a not great but very passionate, female voice. “Marlango” and “Automatic Imperfection” (2005) were the main part of my soundtrack for last summer (along with “Alone” (1968) by Bill Evans, “Full Circle” (2002) by Jon Mayer and, of course “A love Supreme”).

“The Electrical Morning” (2007) is the last album of Marlango. I like it much, but I miss part of jazz style of the former albums. Oscar Ybarra’s trumpet sounds under cover, and the music is a bit psycodelic. So, I had one doubt because it.

I had another doubt too. Well, Leonor Watling is a very pretty woman and a good actress. And she sounded well in the studio. But how would she be on the stage?

Last concert cleared up me the two doubts. The band is even better on stage than in the studio. Not only playing music, they created a good air joking with the audience. Leonor performs every song with voice, body and soul. She’s funny. She’s shy. She’s lovely. She has an impressive presence on the stage.

So, the guiness and cigarrettes after the concert pleased us very much